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Mac & Devin Go to the High School - Snoop Dogg & Wiz Khalifa[Español. Mac & Devin Go to High School is the collaborative soundtrack to the film of the same But if the MIA release date for Snoop Dogg and Wiz Khalifa's ganja-fueled.

Mac users: Open the disk image and drag the Reason folder to your Applications folder on your hard drive.

The recording software for Mac with everything you need to create music

Put your Reason Sound Banks in place. If you moved your sound banks in step 1, simply move them back into the Reason application folder again.


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If you don't have the sound banks on your computer, you need to install them from your Reason 6 DVD. Launch Reason - the program will ask you to insert the DVD and then automatically copy the sound banks to your hard drive. We use cookies to improve your site experience. By using our websites you consent to this in accordance with the cookie section in our Privacy Policy. Search Find. These can further reinforce the output of the synth drum modules, or add synthetic elements to sounds produced by the other modules.

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If that's not enough flexibility, you can flip over to Kong's back panel, where you'll find sockets for patching other effects devices into the signal path. By default, each pad in Kong is assigned to its own drum module. However, this is not compulsory, and it can sometimes pay to organise things differently — for example, to make use of Kong's 'hit types' feature. Several of Kong's drum modules offer four different hit types, which are built-in variations on their default behaviour.

You can then play patterns using all four variations in the sound, with the advantage that any adjustments to the module's parameters will affect the four different hit types equally, saving you the bother of having to manually tweak the knobs on four different modules. All in all, Kong is an impressive instrument.

Kong's design makes creating and playing sophisticated sampled and synthesized drum kits easy. It's essentially an updated and supercharged version of the Dr Rex player from earlier versions of Reason. Loops can be loaded in batches from the file browser, and are automatically distributed among the eight slots.

Loops and associated settings can be copied and pasted between slots. When switching between slots, the changeover is 'quantised': the next file waits for the next available bar or beat, or 16th note before triggering, in the same way as clips do in Ableton Live. However, Dr OctoRex is capable of much more than simple loop playback. Individual slices from within each loop can be triggered with MIDI notes: the slices are automatically arranged across your controller keyboard at semitone intervals.

The available parameters include the basic Pitch, Pan, Level and Decay, plus Rev, which toggles reverse playback for the selected slice. The major new feature in Record 1. It processes incoming audio, detecting pitches and automatically shifting them up or down to the nearest correct note, where 'correct' is determined by the processor's settings.

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Neptune's user interface makes this easy. Custom scale variations can be created using the small 'keyboard' buttons beneath the central display, toggling notes on or off to include or exclude them. Formant correction is included, to avoid overly artificial 'munchkinised' vocals, and by adjusting the Shift knob you can 'gender change' vocals, more or less realistically, in either direction.

There are functions included to help with potentially problematic input signals. In Automatic mode, Neptune implements what it calls Catch Zones, which are pitch ranges within which an incoming note must fall in order to be caught and corrected. Neptune also supports MIDI input, which can be used as an alternative method for supplying target pitches. Instead of relying on scales and Catch Zones, you can simply play or program MIDI notes to serve as targets for incoming notes.

In this way, you can switch freely between modes on the fly, using Automatic correction wherever it suits you, dropping occasional 'override' notes from your MIDI controller. MIDI input can also be used with Neptune's voice synthesis functions. Continue reading to see what else you can do to improve your green computing. Limit screen-saver use.

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A screen saver does not save energy. In fact, more often than not, a screen saver not only will draw power for the monitor, but also will keep the CPU from shutting down. Instead, set your computer to turn off the monitor first, then go into standby mode after a longer period of inactivity.

Being connected may limit your system's ability to enter standby mode. Many popular computer games and other third party software packages that run in the background will not allow the computer to go to sleep - even if they are paused or the active window is minimized. Some web sites or pages that have active banners and or animated advertisements will not allow the computer to sleep on its own and must be closed, or the computer put manually into a sleep state. Enabled power management to place your monitor, hard drives and computer into a low-power "sleep" mode after a period of inactivity.


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For example, you can create a power scheme for playing music CDs that shuts off your hard drive and monitor immediately, but never puts your system into standby mode. To further reduce power consumption, turn off computing and peripheral devices that are not being used or being used for an extended period of time such as overnight.